Composition: Hand dyed wool and cotton
Size: 61 x 91 cm (24 x 36 inches)
- Hand embroidered/chain-stitched
- All natural fibres – embroidered wool on cotton canvas
- Fair Trade certified
- Limited edition – individually numbered
- Certificate of Authenticity supplied with each kilim
- Royalties paid to the artist/family on every sale
- Hard wearing
- Back has non-slip surface
- Each kilim has flap on the rear for ease of hanging with dowel/rod
- Matching cushion covers are also available
Chain-stitched kilims are a traditional rug/soft furnishings making technique from Kashmir. As people sat on the floor they were both homewares and decoration. As many artworks are painted on the ground or 3D surfaces/bodies most of the images do not have a set orientation so can also be hung portrait or landscape if preferred.
Artist: Samuel Miller
Samuel Miller was born in 1966 at Ernabella Mission. When Samuel’s mother passed away, his father’s second wife, Molly Nampitjin Miller, cared for him. Molly is a founding director of Ninuku. When growing up, Samuel moved between Amata and Pipalyatjara, but he now resides in Kalka with Molly and the rest of her family. A committed artist, Samuel usually paints every day. His paintings depict the traditional iconography of his land, which lies to the east of Pipalyatjara – rock holes, creeks and hills feature in his work, all immersed in Tjukurpa (Dreaming stories). Samuel’s paintings are mesmerising. His composition is minimalist and he makes extensive use of radiating colours, which are largely drawn from the varying colours in the landscape surrounding his country. He is fastidious in his approach and works with a large number of paint colours, which he spreads out around him as he paints. Although he is one of the youngest men painting at the art centre, Samuel is confident and focused in his approach.
About the design: Ngayaku Ngura (Country/home belonging to me)
Ngayuku Ngura means ‘My Place’. Samuel uses an extensive palette of colours to paint the country surrounding Kalka and Pipalyatjara. His paintings feature the various land formations from that area – rockholes, creeks and hills. His land includes a sacred men’s rockhole, so sacred that the name is not allowed to be written down or spoken about.
Do not put place/use in direct sunlight or colors may fade. Dry cleaning recommended. Can be vacuumed. Can be ironed on a wool steam setting.
About the Better World Arts chainstitch kilim products
These beautiful, unique textiles are a cross-cultural collaboration combining Aboriginal designs and traditional Kashmiri rug-making techniques. Chain stitched, using hand dyed wool, each is a completely handmade piece. A more empowering way to work, this brings many direct benefits to the artists’ and their community. Control and ownership of intellectual property are also maintained. Purchase of these products guarantees a direct return to the Aboriginal artist and their community.
About Ikuntji Artists: The art centre was initially set up in 1992 in the existing women’s centre that. After first experiences made in printing T-shirts, the artists began producing acrylic paintings on linen and handmade paper, which quickly gained the attention of the Australian and international art world as well as earning the centre an impressive reputation for fine art. The focus changed from a women’s centre to an art centre in 2005 with the incorporation of the art centre as Ikuntji Artists Aboriginal Corporation.
Today Ikuntji Artists are represented in many national and international galleries and institutions. Their art is famous for bold colour choice, decisive brush strokes and a long legacy of internationally renowned artists.