Alice Dixon – Water – Kilim (S)

Composition: Hand dyed wool and cotton
Size: 60.5 x 91 cm (24 x 36 inches)

Features:

• Hand embroidered/chain-stitched
• All natural fibres – embroidered wool on cotton canvas
• Fair Trade certified
• Limited edition – individually numbered
• Certificate of Authenticity supplied with each kilim
• Royalties paid to the artist/family on every sale
• Hard wearing
• Back has non-slip surface
• Each kilim has flap on the rear for ease of hanging with dowel/rod
• Matching cushion covers are also available

Chain-stitched kilims are a traditional rug/soft furnishings making technique from Kashmir. As people sat on the floor they were both homewares and decoration. As many artworks are painted on the ground or 3D surfaces/bodies most of the images do not have a set orientation so can also be hung portrait or landscape if preferred.

Artist: Alice Nampitjinpa Dixon (dec)

Alice was born in 1943 near Talaalpi, which is a swamp near and a little bit to the east of Walungurru on the Western Australian border. Prior to her painting Alice worked for many years at the Kintore School teaching the young girls dancing and the traditions of the desert people. Alice started painting on the “Minyama Tjukurrpa” – the Kintore Haasts Bluff collaborative canvas project. As a painter she is inspired by her rich cultural heritage, and thrives when involved with her stories and lore. Alice is an active “dancing woman” who travels widely to participate in annual ceremonies and “Women’s Law” meetings. Alice’s tjukurrpa is the porcupine or Tjilkamala. Her story is told in bright colours often utilizing orange and yellow to mirror the ochres that are used in ceremonial body painting. In her tjukurrpa story there is often the porcupine scurrying about rock holes and hiding places looking for tucker while nearby the women are themselves hunting, laying in wait for the porcupine. Alice is a keen hunter and likes to go hunting with Eunice Jack. Alice’s father was the late Uta Uta Tjangala, who was one of the original Papunya Tula painters. His Tjukurrpa is Pungkalungka at Takpalangu. Pungkalungka’s are dangerous, and sometimes kill and eat people. They live in huge caves in the hills. Alice only paints the entrance to the caves to signify the unknown danger of the monster that dwells within. Her father’s country is Ngurrapalangu, and her tjukurrpa has passed to her from this place – the porcupine was travelling through the sand hills and passing near the two carpet snakes, kuniya kutjarra, who were living underneath the water. Alice also enjoys the other crafts and is involved in producing hand-spindled hairstring for ceremonies and ininti necklaces and mats. She regularly goes out bush to collect ininti seeds then laboriously pierces them with hot wire to make beads for necklaces, bracelets or mats.

Dixon passed away in December 2020.

About the design: Kapi (Water)

This is the way the water runs off the sand into the much needed water hole where it stays for a long time. The travellers and animals can find water here.

CARE INSTRUCTIONS:
Do not put place/use in direct sunlight or colors may fade. Dry cleaning recommended. Can be gently ironed on a steam wool setting on the front of the rug or use a steamer.

About the Better World Arts chainstitch kilim products
These beautiful, unique textiles are a cross-cultural collaboration combining Aboriginal designs and traditional Kashmiri rug-making techniques. Chain stitched, using hand dyed wool, each is a completely handmade piece. A more empowering way to work, this brings many direct benefits to the artists’ and their community. Control and ownership of intellectual property are also maintained. Purchase of these products guarantees a direct return to the Aboriginal artist and their community.