Cushion – Liddy Napanangka – Dogwood Dreaming

$72.00

Vibrant, pure wool, fair trade cushion cover adds warmth and texture to your home. Front of each cushion is embroidered with wool and back is cotton canvas. Zip closure.

Artist: Liddy Napanangka Walker from Warlukurlangu Artists, Yuendumu, Northern Territory of Australia.

Free shipping in Australia.

Availability: 1 in stock

Size: 40 cm x 40 cm (16 x 16 inches)
Fabric: wool (front) and cotton (back)
Color: this cover is even more vibrant and gorgeous in real life.
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CARE INSTRUCTIONS: These cushion covers feel great and are fabulously hardwearing – we can vouch for that.
Do not put place/use in direct sunlight or colors may fade. To clean – dry cleaning recommended. It is possible with careful hand-wash in warm water using a wool detergent. Creases can be ironed out on a wool (low) steam setting.
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About the design: Wakirlpirri Jukurrpa (Dogwood Dreaming)

The main motif of this painting depicts the ‘wakirlpirri’ (dogwood [Acacia coriacea]) tree. ‘Wakirlpirri’ is a very useful tree that grows on the sides of creek beds and near ‘mulga’ trees. The seeds of this tree can be eaten raw or cooked on the fire. A deliciously sweet drink called ‘yinjirrpi’ is made from the seeds when they have been dried. The wood can be used to make weapons such as ‘karli’ (boomerangs) and dancing boards for ceremonies. It is also good wood for burning on the fire because rain cannot extinguish burning Wakirlpirri wood. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements. This Jukurrpa travels from Jarrarda-Jarrayi through to Puturlu (Mount Theo) west of Yuendumu. This Jukurrpa belongs to Japanangka/Japangardi men and to Napanangka/Napangardi women.

About the BWA chainstitch kilim products
These beautiful, unique textiles are a cross-cultural collaboration combining Aboriginal designs and traditional Kashmiri rug-making techniques. Chain stitched, using hand dyed wool, each is a completely handmade piece. A more empowering way to work, this brings many direct benefits to the artists’ and their community. Control and ownership of intellectual property are also maintained. Purchase of these products guarantees a direct return to the Aboriginal artist and their community.

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